The Bavarian Minister of Finance is furious at Bavarian Radio. As per old custom, he needs to compose a letter of protest, however even in the CSU many consider this to be intemperate.
By Lisa Schnell and Hans Kratzer
Back Minister Markus Söder seethes. His voice is noisy, his head dark red. In the CSU parliamentary session, Söder is beating just a single Bavarian Radio (BR), as per members. It sometimes falls short for him as the BR had reported new charges for the offer of the Wohnbaugesellschaft GBW. The way that a monetary wrongdoings are being talked is an "embarrassment", Söder declares in the state parliament. The story, sold as a select story, is a "literary theft", "sheep poo" even, says Ernst Weidenbusch (CSU).
On the off chance that there is enthusiastic exchange in parliament, nobody said what. In any case, then came the matter with this letter. Authoritatively at the BR gripe to the state government, it said. "Journalistic quality must be the most noteworthy standard, and on the off chance that you feel that it doesn't occur, you need to request it," says Staatskanzleichef Marcel Huber.
Is this essential? As an administration government whine about the free media? Inge Aures, who is sitting in the Radio Council for the SPD, helps us to remember Hungary, others maybe considering Bavaria himself, on the grounds that the CSU and the BR in Bavaria have been a one of a kind advantageous interaction for a really long time. One could barely maintain a strategic distance from the feeling that the CSU was the most astounding consultative body of the BR, and at the BR, well, likewise the Bavarian Kurier readily served as a motivation for the reporting.
In its initial years after 1949 the Bavarian Radio was without still as the wind. The primary executives exchanged and oversaw as they loved. The telecom's benevolence went so far that a TV chief in the warmed civil argument on NATO participation and atomic weapons positioning even argued that Bavaria would preferably be left red than dead. The political analyses were at the time exceptionally disputable.
Toward the start of the 1970s there was no more extended any motivation to consider a wonder such as this. At the "Political Ash Wednesday" in Vilshofen, CSU boss Franz Josef Strauss griped about the "red submerged relocation of radio and TV" and about "little sprinkles of red toxic substances", which he had found in the communicates of the BR, the red radio, as he some of the time did Also called. In February 1972, most of the CSU chose to revise the Broadcasting Act, the Broadcasting Council was to be broadened and the gathering's impact reinforced. There was a major hickshack, even a choice of the general population, and at last concurred that the radio remained freely claimed.
The BR had, in any event at the head, get to be distinctly incomparable, and this change of mind proposed as of now on January 17, 1961, in which the entire of Germany was dumbfounded at Fritz Kortner's TV adjustment of Aristophanes' Lysistrata. Not slightest in light of the fact that Romy Schneider was seen for a few moments with a half-uncovered bosoms. Just the Bavarian radio kept its crowd before this sight of transgression. TV chief Clemens Münster blocked the communicate for good reasons and conjured the likelihood of individual telecasters under the law of the TV contract to have the capacity to avoid the ARD people group program.
The stripped chest ought not have been the main explanation behind this "defensive measure". Apparently, the political message of the play was not helpful, in light of the fact that Kortner scourged militarism, with which he went to the then CSU Defense Minister Franz Josef Strauss. From that time, the Bavarian Radio had no more extended the nerve to escape the program, or to try and edit musical titles, which, as indicated by traditionalist circles, had sexual or rough substance. The 1964 hit melody "Blame was the Bossa Nova" by the artist Manuela, who for a few weeks possessed the top position of the German graphs of the year, was not played by the BR.
The telecaster exhibited a progression of movies and projects to its viewers, particularly those in which homosexuality was the subject of talk. It started in 1973 with Rosa von Praunheim's film "Not the gay person is unreasonable, but rather the circumstance in which he lives". Moreover, in the late 1970s, the BR left the communicate of Wolfgang Petersen's film "The Consequence". Such choices of the BR were only protected by the state government and by the congregation. In 1986, the BR smothered of the nightclub end of windshield wipers, as not long after the reactor fiasco of Chernobyl and after the Pentecostal fight at the Wackersdorf reprocessing plant, an atomic basic outline was to be performed in the supper club communicate.
